Review: Google music plan solid, serendipitous

LOS ANGELES (AP) — Google Inc.’s new music service offers a lot of eye candy to go with the tunes. The song selection of around 18 million tracks is comparable to popular services such as Spotify and Rhapsody, and a myriad of playlists curated along different genres provides a big playground for music lovers.

The All Access service represents Google’s attempt to grab a bigger piece of the digital music market as more people stream songs over mobile phones. Such services are also meant to further wed smartphone users to Google’s Android operating system, where the search leader makes money from advertising and transactions on its digital content store, Google Play.

For a monthly fee, All Access lets you listen to as much music as you want over an Internet connection. You can also download songs onto mobile devices for smooth playback later when you don’t have cellphone or Wi-Fi access.

It’s worth a try for the discounted monthly rate of $8 if you sign up by the end of June. Those who sign up later will pay $10 a month, the same amount charged by the main competitors, Spotify and Rhapsody. Either way, you get the first month free and can cancel at any time. All Access works on the free Google Play Music app for Android devices and over Web browsers on computers — but not on the iPhone. (Spotify and Rhapsody work on both Android and the iPhone).

Visually, the app that I tested on Google’s Nexus 4 smartphone is engaging. Iterating on the list-heavy layouts of its competitors, Google Play Music jazzes up the interface by adding plenty of big artist photos along with little animations, including bouncing equalizer bars and screen-size cover art that moves slowly back and forth when a song is playing.

Some of the touch features require a pixie-like dexterity, though. It’s one downside to this solid entrant to the world of unlimited music streaming.

You can re-order songs that are in your queue on the fly — something not offered by either Spotify or Rhapsody. But this takes gripping a very thin digital handle to the left of a song title and sliding it up or down. Because it’s much thinner than the thumb I’m using to grip it, I ended up playing songs that I only wanted to move, or deleting them from the queue by accident (which takes a swipe right or left).

The options icon on each song title (three dots stacked on top of each other) is also tiny and caused frequent mis-taps. This means a lot of accidentally playing songs and mistakenly erasing queues that I had spent time creating.

I wasn’t that impressed by the service’s recommendations, although perhaps it’s because I haven’t used it that much. It recommended artists “like Madonna” even though I don’t really listen to the Material Girl. The top recommendations were the same ones I saw onstage during Google’s official unveiling of All Access last week. Digging a little deeper revealed recommendations for other works by artists whose songs I already own, like Sara Bareilles or Maroon 5. But I could have looked that up on my own.

Where the service starts to get interesting is in its radio function. Like other Internet radio plans, it takes some traits of a particular song and finds others like it somehow. Doing this with Reggie Watts’ comedic beat-box tune “(bleep) (bleep) Stack,” I discovered the song fits within a kind of sub-genre of humorous rappers, after it played Flight of the Conchords’ “Hiphopopotamus vs. Rhymenoceros,” and MC Chris’ “I Want Candy.” I gave these songs a digital thumbs up, which marks them in a playlist so I can find them later.

Google Play Music attempts to do something that Samsung Electronics Co.’s Music Hub did before it. Music Hub, which launched last July on Samsung’s Galaxy S III phone, blended four things: a music store, an online storage service, unlimited song streaming and an Internet radio player.

Google’s app does all those things. In addition, because it comes as an update to the existing Google Play Music app, it preserved the music I took the trouble of uploading to my Google Music storage space prior to the revamp.

When Google first launched its music store in November 2011, it merely sold songs or albums a la carte. But it offered users free online storage for up to 20,000 songs, including ones they had bought at other stores such as Apple Inc.’s iTunes.

Starting last December, Google’s uploader software added the ability to scan your hard drive for songs and match them with songs Google already has on its servers. That way, you have to upload only the songs Google didn’t recognize. With that, your personal library of owned songs still exists, but the sense of ownership has blurred.

With All Access, you still see your library of owned songs in a place called My Library on the Google Play Music app. A lot of that music is stored online, or in the cloud, and requires an Internet connection to listen to. But you can “pin” a song to download a copy for offline listening, something that Google Play Music and other cloud lockers had offered already.

You can toggle the view in My Library to see everything you can access in the cloud, or just the stuff you can access on the device without a cellular or Wi-Fi connection. If you start running out of space, you basically “unpin” the song to free up the memory, even though your ownership still exists in the cloud.

All Access also allows you to “pin” songs you don’t own. Copies will get downloaded for offline play. Or you can mark songs as favorites by adding them to My Library in the cloud. But because those favorites are stored in the same place as songs you actually own, your sense of ownership will suffer a hit. You might not know which is which until the All Access songs disappear should you ever stop paying the monthly fee.

You can share songs from the app to the Google Plus social network, but there’s no Facebook integration as is the case with Spotify and Rhapsody. It also doesn’t integrate with Twitter’s new (hash)music service, the way Rdio and Spotify do quite well.

Google’s new music service covers the fundamentals of unlimited on-demand music with Google-like solid execution. And with the radio function running on Google’s vaunted ability to tweak algorithms, it adds a healthy dose of serendipity to the mix, turning up songs and artists I wouldn’t have discovered on my own.

That puts it at least on an equal footing with streaming services that have come before it and will persuade some subscribers of those services to switch. Although you need an Android phone to use All Access fully, I don’t believe that in itself will get Apple fans to drop their iPhones. But it’s one more nice thing Android has going for it.

___

Online:

All Access: https://play.google.com/about/music

Spotify: http://spotify.com

Rhapsody: http://www.rhapsody.com

___

Follow Ryan Nakashima on Twitter at https://twitter.com/rnakashi

Source Article from http://finance.yahoo.com/news/review-google-music-plan-solid-040334271.html
Review: Google music plan solid, serendipitous
http://finance.yahoo.com/news/review-google-music-plan-solid-040334271.html
http://news.search.yahoo.com/news/rss?p=music
music – Yahoo! News Search Results
music – Yahoo! News Search Results

Favorite Music May Ease Anxiety in ICU Patients

Favorite Music May Ease Anxiety in ICU Patients
http://www.medicinenet.com/guide.asp?s=rss&k=DailyHealth&a=169983
http://news.search.yahoo.com/news/rss?p=music
music – Yahoo! News Search Results
music – Yahoo! News Search Results

Ultimate Ears Unveils World’s First Social Music Player: UE BOOM

NEWARK, Calif.–(BUSINESS WIRE)–

Today Ultimate Ears introduced UE
BOOM
, a social music player made to help you rage, riot, party and
play the music you love, out loud. It’s designed to make the most of
digital music’s convenience, while making it less of a solitary
experience.

UE BOOM is the first-ever social music player, a wireless speaker that’s
packed with a specific set of features that sets a new standard for
listening to music. It’s the first stereo speaker to offer 360-degree
sound in a battery-powered device, and features a 15-hour rechargeable
battery. Its versatile go-anywhere shape is wrapped in a specially
developed acoustic skin that is both water and stain resistant so you
can enjoy your music anywhere you go. And it is made for connecting with
others. If more friends crash the party, you can wirelessly connect two
UE BOOMs together through the free UE BOOM app (available for iOS™ and
Android™) to play them in either stereo-to-stereo mode or traditional
left/right stereo mode.

“The digital age has changed how we listen to our favorite songs and
interact with music,” said Rory Dooley, general manager of Ultimate
Ears. “While online music services have made it easier to
access your music, it’s remained a challenge to have an anytime,
anywhere listening experience that can be shared with others. UE BOOM
solves that problem. Ultimate Ears strives to amplify the social
experience of listening to music, bringing people together around the
music they love. UE BOOM is designed to bring music out into the world,
and that’s why we’re also supporting this introduction with a campaign
to inspire young music fans to make music social.”

In conjunction with the launch of UE Boom, Ultimate Ears is initiating
The Social Music Experiment – a lighthearted examination of the effect
music has on people in social environments. As part of this effort
throughout the summer, Ultimate Ears is teaming up with YouTube comedy
channel JASH and its noted music expert, Reggie Watts, to produce an
original series entitled The Social Music Experiment. Reggie will play
the role of Ultimate Ears’ first ever “Head of Socio-Musicology” putting
his social music theories to the test in a series of hilarious
real-world experiments. In each episode Reggie will take a UE Boom and
his crazy hypothesis to the streets to understand the effects that
social music has on everyday people in everyday places. The series
launches today exclusively on JASH’s comedy network on YouTube (http://jash.com/social-music-experiment/)
and will then be syndicated beginning May 28 across a variety of other
digital sites including Collegehumor.com and ultimateears.com. Episodes
are expected to roll out through the end of June.

After nearly 20 years of working with the most discerning ears in music,
Ultimate Ears has set out to help change the way people experience the
music they love with its range of critically acclaimed wireless speakers
and earphones. That tradition continues with UE BOOM and interactive
programs such as The Social Music Experiment.

Pricing and Availability

UE BOOM is expected to be available in the U.S. and Europe in May 2013,
and in select countries in Asia in June 2013, for a suggested retail
price of $199.99. For more information, and to find a retailer near you,
please visit www.ultimateears.com.

About Ultimate Ears

Ultimate Ears, a brand of Logitech, revolutionized the way artists
perform music on stage with the creation of its custom fit professional
earphones in 1995. Today, more touring artists use Ultimate Ears than
any other brand, and UE makes critically acclaimed earphones and
speakers that are redefining the way people experience the music they
love. Ultimate Ears is the leading supplier of in-ear-monitors for
professional musicians and an emerging provider of premium speakers and
headphones for the consumer market. For more information, please visit www.ultimateears.com.

Logitech, the Logitech logo, and other Logitech marks are registered in
Switzerland and other countries. All other trademarks are the property
of their respective owners. For more information about Logitech and its
products, visit the company’s website at www.logitech.com.

(LOGIIR)

MULTIMEDIA AVAILABLE:http://www.businesswire.com/cgi-bin/mmg.cgi?eid=50636849&lang=en

Source Article from http://finance.yahoo.com/news/ultimate-ears-unveils-world-first-130000539.html
Ultimate Ears Unveils World’s First Social Music Player: UE BOOM
http://finance.yahoo.com/news/ultimate-ears-unveils-world-first-130000539.html
http://news.search.yahoo.com/news/rss?p=music
music – Yahoo! News Search Results
music – Yahoo! News Search Results

Real Beef Music Group Unveils New Independent Record Label Promotion and Development

Bernanke and growth fears send shares lower, yen upReuters

Concerns over the future of the U.S. Federal Reserve’s monetary stimulus and weak Chinese factory data sent shares …

Source Article from http://finance.yahoo.com/news/real-beef-music-group-unveils-204314366.html
Real Beef Music Group Unveils New Independent Record Label Promotion and Development
http://finance.yahoo.com/news/real-beef-music-group-unveils-204314366.html
http://news.search.yahoo.com/news/rss?p=music
music – Yahoo! News Search Results
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Music Awards Worthy of a Tony

Delia Enriquez @dfiregirl4

Kid Rock: “Lets give it up for people lip-synching to pre-recorded music!” And the award for best quote goes to Kid Rock! #BBMAs

GavinDeGraw @GavinDeGraw

Thank you @KidRock for speaking the TRUTH. Preach!

Del Rey. @TeAmoBrit

How is it possible that Selena Gomez is lip syncing and still sounds horrible….

bevysmith @bevysmith

OMG, Beiber is singing over his track, he’s like Kid Rock won’t read me! Yet another reason for me to love Beiber!

mary lauren @LaurenReddeck

I see you T. Swift staring at Selena while Justin is up there. BE CASUAL GIRL THIS IS WHY YOU HAVE BOY ISSUES.

Stephanie Scrafano @stephscrafano

I’m not the biggest Taylor swift fan but I can appreciate anyone that throws some shade at Justin Bieber

Andrea Russett @AndreaRussett

Taylor Swift and Ed Sheeran are sitting next to each other…. RUN ED BABY RUN WHILE YOU STILL CAN

4/5/2013. @l3ieberKingdom

Taylor and Selena didn’t even stand up like everyone else when Justin won his award.

July 7th @BieberPriority

Booing Justin isn’t going to stop him from selling millions of records, playing at world famous stadiums, and producing Grammy worth music.

DeionSanders @DeionSanders

Someone please educate this old timer why are they booing Justin Bieber? I thought he was the next Elvis!

August 24th @FearlessWithSel‬‬‬‬‬‬‬

When Selena got backstage and she saw Justin, she immediately smiled and tried to cheer him up. How can you say she’s a bad girlfriend?

Justin Bieber @justinbieber

2 performances and 2 awards. Grateful to my #Beliebers . Our awards. Love u

Source Article from http://www.nytimes.com/2013/05/23/fashion/music-awards-worthy-of-a-tony.html
Music Awards Worthy of a Tony
http://www.nytimes.com/2013/05/23/fashion/music-awards-worthy-of-a-tony.html
http://news.search.yahoo.com/news/rss?p=music
music – Yahoo! News Search Results
music – Yahoo! News Search Results

Review: Google Music Plan Solid, Serendipitous – NPR

LOS ANGELES (AP) — Google Inc.’s new music service offers a lot of eye candy to go with the tunes. The song selection of around 18 million tracks is comparable to popular services such as Spotify and Rhapsody, and a myriad of playlists curated along different genres provides a big playground for music lovers.

The All Access service represents Google’s attempt to grab a bigger piece of the digital music market as more people stream songs over mobile phones. Such services are also meant to further wed smartphone users to Google’s Android operating system, where the search leader makes money from advertising and transactions on its digital content store, Google Play.

For a monthly fee, All Access lets you listen to as much music as you want over an Internet connection. You can also download songs onto mobile devices for smooth playback later when you don’t have cellphone or Wi-Fi access.

It’s worth a try for the discounted monthly rate of $8 if you sign up by the end of June. Those who sign up later will pay $10 a month, the same amount charged by the main competitors, Spotify and Rhapsody. Either way, you get the first month free and can cancel at any time. All Access works on the free Google Play Music app for Android devices and over Web browsers on computers — but not on the iPhone. (Spotify and Rhapsody work on both Android and the iPhone).

Visually, the app that I tested on Google’s Nexus 4 smartphone is engaging. Iterating on the list-heavy layouts of its competitors, Google Play Music jazzes up the interface by adding plenty of big artist photos along with little animations, including bouncing equalizer bars and screen-size cover art that moves slowly back and forth when a song is playing.

Some of the touch features require a pixie-like dexterity, though. It’s one downside to this solid entrant to the world of unlimited music streaming.

You can re-order songs that are in your queue on the fly — something not offered by either Spotify or Rhapsody. But this takes gripping a very thin digital handle to the left of a song title and sliding it up or down. Because it’s much thinner than the thumb I’m using to grip it, I ended up playing songs that I only wanted to move, or deleting them from the queue by accident (which takes a swipe right or left).

The options icon on each song title (three dots stacked on top of each other) is also tiny and caused frequent mis-taps. This means a lot of accidentally playing songs and mistakenly erasing queues that I had spent time creating.

I wasn’t that impressed by the service’s recommendations, although perhaps it’s because I haven’t used it that much. It recommended artists “like Madonna” even though I don’t really listen to the Material Girl. The top recommendations were the same ones I saw onstage during Google’s official unveiling of All Access last week. Digging a little deeper revealed recommendations for other works by artists whose songs I already own, like Sara Bareilles or Maroon 5. But I could have looked that up on my own.

Where the service starts to get interesting is in its radio function. Like other Internet radio plans, it takes some traits of a particular song and finds others like it somehow. Doing this with Reggie Watts’ comedic beat-box tune “(bleep) (bleep) Stack,” I discovered the song fits within a kind of sub-genre of humorous rappers, after it played Flight of the Conchords’ “Hiphopopotamus vs. Rhymenoceros,” and MC Chris’ “I Want Candy.” I gave these songs a digital thumbs up, which marks them in a playlist so I can find them later.

Google Play Music attempts to do something that Samsung Electronics Co.’s Music Hub did before it. Music Hub, which launched last July on Samsung’s Galaxy S III phone, blended four things: a music store, an online storage service, unlimited song streaming and an Internet radio player.

Google’s app does all those things. In addition, because it comes as an update to the existing Google Play Music app, it preserved the music I took the trouble of uploading to my Google Music storage space prior to the revamp.

When Google first launched its music store in November 2011, it merely sold songs or albums a la carte. But it offered users free online storage for up to 20,000 songs, including ones they had bought at other stores such as Apple Inc.’s iTunes.

Starting last December, Google’s uploader software added the ability to scan your hard drive for songs and match them with songs Google already has on its servers. That way, you have to upload only the songs Google didn’t recognize. With that, your personal library of owned songs still exists, but the sense of ownership has blurred.

With All Access, you still see your library of owned songs in a place called My Library on the Google Play Music app. A lot of that music is stored online, or in the cloud, and requires an Internet connection to listen to. But you can “pin” a song to download a copy for offline listening, something that Google Play Music and other cloud lockers had offered already.

You can toggle the view in My Library to see everything you can access in the cloud, or just the stuff you can access on the device without a cellular or Wi-Fi connection. If you start running out of space, you basically “unpin” the song to free up the memory, even though your ownership still exists in the cloud.

All Access also allows you to “pin” songs you don’t own. Copies will get downloaded for offline play. Or you can mark songs as favorites by adding them to My Library in the cloud. But because those favorites are stored in the same place as songs you actually own, your sense of ownership will suffer a hit. You might not know which is which until the All Access songs disappear should you ever stop paying the monthly fee.

You can share songs from the app to the Google Plus social network, but there’s no Facebook integration as is the case with Spotify and Rhapsody. It also doesn’t integrate with Twitter’s new (hash)music service, the way Rdio and Spotify do quite well.

Google’s new music service covers the fundamentals of unlimited on-demand music with Google-like solid execution. And with the radio function running on Google’s vaunted ability to tweak algorithms, it adds a healthy dose of serendipity to the mix, turning up songs and artists I wouldn’t have discovered on my own.

That puts it at least on an equal footing with streaming services that have come before it and will persuade some subscribers of those services to switch. Although you need an Android phone to use All Access fully, I don’t believe that in itself will get Apple fans to drop their iPhones. But it’s one more nice thing Android has going for it.

___

Online:

All Access: https://play.google.com/about/music

Spotify: http://spotify.com

Rhapsody: http://www.rhapsody.com

___

Follow Ryan Nakashima on Twitter at https://twitter.com/rnakashi

Source Article from http://www.npr.org/templates/story/story.php?storyId=186158853
Review: Google Music Plan Solid, Serendipitous – NPR
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Paris Hilton plots music comeback with Cash Money Records – Los Angeles Times

Paris Hilton plots music comeback with Cash Money Records – Los Angeles Times

Many thought it was a joke that the label that made superstars out of Lil Wayne, Drake and Nicki Minaj would sign the heiress. But it’s true. 

The 32-year-old is plotting her return to music with the popular hip-hop label. With online commenters burning up Twitter wondering how it happened, Cash Money co-founder Bryan “Birdman” Williams said the deal was a no-brainer.

PHOTOS: Concerts by The Times

“She’s always supported us, and we’ve supported her. It was a friendship first,” Williams told Pop & Hiss. “She played us music, and I was taken aback. I was impressed by her music, and I didn’t know she could sing so well.”

Hilton broke the news to Showbiz 411 while in Cannes, France,  that she had signed with the label to issue her sophomore record; Williams took to Twitter to confirm.

The heiress/former reality star/personality issued her self-titled debut at a time when the media just couldn’t get enough of her — back when she had multiple reality shows, books, apparel and whatever else she could brand — and it actually did well.

“Paris,” which had the aspiring singer cooing over fluffy pop numbers produced by hitmakers such as Fernando Garibay, Dr. Luke and Scott Storch, peaked at No. 6 on the Billboard 200 chart, despite largely murky reviews. The album, issued through Warner Bros. Records, spawned the hit “Stars Are Blind.” 

PHOTOS: Celebrities by The Times

But listeners shouldn’t expect the heiress to dip into hip-hop just because of her new home.

“Its on the EDM side,” Williams said of the project. “I want to let her do what she wants as an artist. We’re going to support it.”

Hilton has been in the studio for more than a year working on the project. She has said in previous interviews that she’s worked with Snoop Dogg, LMFAO, Flo Rida and, unsurprisingly, Lil Wayne for the disc, which is being helmed by her best friend, Dutch house producer Afrojack.

Her relationship with Cash Money is beyond the new deal, Williams said. Hilton released an Afrojack-produced single with Weezy, “Last Night,” late last year, and she makes a cameo in a recently released video for Rich Gang, Williams’ new all-star rap collective.

Williams said that he expects her to drop the album’s first single soon and that she wants to release the album by summer. Hilton  is doing a DJ residency — yes, she also DJs — this summer in Ibiza, Spain.

Until Hilton unleashes new music, she is launching her 17th perfume  and will appear as herself in “The Bling Ring,” a film about the kids who burgled her and other tabloid stars out of cash, clothes and jewelry. 

As for the criticism about Williams’ choice of signee? He’s not concerned.

“Controversy and all of that, it works for your benefit,” he said. “[Her Cash Money deal] being so talked about shows the strength of her popularity. I’m very excited. I’m very appreciative that she’s part of the team. She’s very talented, and a beautiful young woman.” 




 

Source Article from http://www.latimes.com/entertainment/music/posts/la-et-ms-paris-hilton-music-comeback-cash-money-records-20130522,0,1335793.story
Paris Hilton plots music comeback with Cash Money Records – Los Angeles Times
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Music fest season in high gear for holiday weekend – USA TODAY

Music festivals continue to prove to be the strongest sector of the live concert industry. Fans will flock to dozens all summer — some offering eclectic, star-studded bills, some niche-oriented.

Fans won’t have to travel far to get their fill of live music this Memorial Day weekend, as nearly 20 festivals — from Baltimore to Monterey, Calif. — will offer bands galore on their stages. It’s just the start of a summer of sounds with dozens of festivals that fit just about every genre and niche imaginable.

The indie-rock-leaning Sasquatch! Music Festival, which runs Friday through Monday at The Gorge amphitheater near the Columbia River Gorge in Quincy, Wash., has been sold out for months and is the weekend’s biggest attraction. Mumford & Sons, The Lumineers, Vampire Weekend and Macklemore & Ryan Lewis are among the more than 100 bands that will play before daily capacity crowds of about 27,500.

“The festival market is the most robust sector of the live music business,” says Ray Waddell, Billboard‘s senior editor/touring. “The anchor events like (New Orleans) Jazz Fest, Coachella, Bonnaroo, Lollapalooza, Milwaukee Summerfest and Austin City Limits have become an integral part of the touring landscape, and the market is healthier than it has ever been — and growing.”

MORE: Guide to summer music festivals

New festivals seem to successfully emerge every year, with events like Hangout in Gulf Shores, Ala., LouFest in St. Louis, Virgin FreeFest outside Washington, D.C., and the Governors Ball in New York City establishing themselves in recent summers. Three of last summer’s debut successes are back this year: Firefly, June 21-23 in Dover, Del.; Watershed, Aug. 2-4 in George, Wash.; and the Jay-Z-curated Made In America festival, Aug. 31-Sept. 1 in Philadelphia. This year, Faster Horses, July 19-21 in Brooklyn, Mich., looks to be getting off to a strong start.

The Electric Daisy Carnival in Las Vegas (June 21-23) is the crown jewel of electronic dance music, but with a half-dozen other events, the genre has developed a festival circuit all its own.

“Not only are EDM festivals hugely popular and growing, the stars of the genre frequently are found on the bills at more mainstream rock fests, and developing acts in the genre often show up at after-hours shows and smaller tents and stages across the festival scene,” Waddell says.

Festivals can provide a boost to bands striving for higher profiles. It gives them an opportunity to expand their fan base and garner critical acclaim. Macklemore & Ryan Lewis and The Lumineers are recent examples that have benefited from the excitement they’ve generated at summer shows. French indie band Phoenix helped itself last month by creating the biggest buzz at Coachella.

“Festivals can be the best platform out there for developing bands today — but only if they kill it live,” Waddell says. “An epic performance — think My Morning Jacket in the wee hours at Bonnaroo (in 2008) — works wonders in building a reputation as a great live act, but a weak performance can evoke withering and widespread criticism.”

Source Article from http://www.usatoday.com/story/life/music/2013/05/22/summer-music-festival-season-outlook/2349437/
Music fest season in high gear for holiday weekend – USA TODAY
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A guide to summer music festivals – USA TODAY

A broad range of high-value fests will be staged now through September.

The summer music festival season has been under way since April, but there’s a broad range of events still to come. Whether your taste is country, rock, EDM, hip-hop or anything beyond, there’s plenty to choose from. Here’s a sampling of what’s out there. Check official websites for details and ticket information.

Sasquatch!

George, Wash.

May 24-27

Headliners: Mumford & Sons, the Postal Service, Macklemore & Ryan Lewis, Vampire Weekend, The Lumineers

Details: sasquatchfestival.com

Rocklahoma

Pryor, Okla.

May 24-26

Headliners: Alice in Chains, Bush, Guns N’ Roses, Halestorm, Korn, Papa Roach, Skillet

Details: rocklahoma.com

Wakarusa

Ozark, Ark.

May 30-June 2

Headliners: Widespread Panic, Dispatch, The Black Crowes, Snoop Lion

Details: wakarusa.com

CMA Music Festival

Nashville

June 6-9

Headliners: Blake Shelton, Brad Paisley, Carrie Underwood, Dierks Bentley, Eric Church, Florida Georgia Line

Details: cmaworld.com

Governors Ball Music Festival

New York City

June 7-9

Headliners: Kanye West, Kings of Leon, Guns N’ Roses, Pretty Lights, Avett Brothers, Kendrick Lamar, The Lumineers

Details: governorsballmusicfestival.com

Bonnaroo

Manchester, Tenn.

June 13-16

Headliners: Animal Collective, Bjork, Macklemore & Ryan Lewis, Mumford & Sons, Pretty Lights, Wilco, Of Monsters and Men, The National

Details: bonnaroo.com

Firefly Music Festival

Dover, Del.

June 21-23

Headliners: Alabama Shakes, Red Hot Chili Peppers, Vampire Weekend, Tom Petty, Passion Pit, Yeah Yeah Yeahs, Matt & Kim

Details: fireflyfestival.com

Electric Daisy Carnival

Las Vegas

June 21-23

Headliners: Afrojack, Avicii, Carl Cox, Major Lazer, The Bloody Beetroots, Tiesto

Details: electricdaisycarnival.com

Summerfest

Milwaukee

June 26-July 7

Headliners: 311, Alice Cooper, Cold War Kids, Diplo, fun., Jason Aldean, Pretty Lights, Trampled by Turtles

Details: summerfest.com

Kanrocksas

Kansas City, Kan.

June 28-29

Headliners: Kendrick Lamar, Passion Pit, Pretty Lights, The Avett Brothers, Yeah Yeah Yeahs, Tiesto

Details: kanrocksas.com

Essence Music Festival

New Orleans

July 4-7

Headliners: Charlie Wilson, Jill Scott, Keyshia Cole, LL Cool J, Maxwell, New Edition, Brandy, Big Daddy Kane

Details: essence.com/festival

Forecastle Festival

Louisville

July 12-14

Headliners: Black Keys, Flaming Lips, Alabama Shakes, Animal Collective, Big Boi, Grace Potter & the Nocturnals, Matt & Kim

Details: forecastlefest.com

Faster Horses

Brooklyn, Mich.

July 19-21

Headliners: Dierks Bentley, Jason Aldean, Florida Georgia Line, Ashley Monroe

Details: fasterhorsesfestival.com

Gathering of the Vibes

Bridgeport, Conn.

July 25-28

Headliners: Phil Lesh, The Black Crowes, Grace Potter & the Nocturnals, The Roots, Tedeschi Trucks Band

Details: gatheringofthevibes.com

Lollapalooza

Chicago

Aug. 2-4

Headliners: Band of Horses, Crystal Castles, Mumford & Sons, Queens of the Stone Age, The Killers, The National, the Postal Service, Thievery Corporation, Vampire Weekend

Details: lollapalooza.com

Watershed

George, Wash.

Aug. 2-4

Headliners: Luke Bryan, Toby Keith, Brad Paisley

Details: watershedfest.com

Outside Lands

San Francisco

Aug. 9-11

Headliners: Band of Horses, Matt & Kim, Pretty Lights, Red Hot Chili Peppers, Vampire Weekend, Willie Nelson, Yeah Yeah Yeahs

Details: sfoutsidelands.com

Made In America

Philadelphia

Aug. 31-Sept. 1

Headliners: Beyonce, Deadmau5, Macklemore & Ryan Lewis, Queens of the Stone Age, Wiz Khalifa, Nero, Imagine Dragons, Kendrick Lamar, Miguel

Details: madeinamericafest.com

Bumbershoot

Seattle

Aug. 31-Sept. 2

Headliners: Death Cab for Cutie, fun., Alt-J, Crystal Castles

Details: bumbershoot.org

Source Article from http://www.usatoday.com/story/life/music/2013/05/22/summer-music-festivals-guide/2349747/
A guide to summer music festivals – USA TODAY
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music – Google News
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If You Like Steve Martin and Edie Brickell, Try Their Music as a Duet – New York Times

What is a “wild and crazy guy” doing with Paul Simon’s wife, Edie Brickell? I can explain and more important, she can. To confound a bit more, this week my new artists are also my old artists. Old: Steve Martin and Edie Brickell making music separately; new: Steve Martin (banjo) and Edie Brickell (vocals) making music together. Mr. Martin wrote the music; Ms. Brickell the lyrics. A perfect collaboration. Their recently released album, “Love Has Come for You,” is my go-to music for the summer. I especially love the album cover art (designed by Mr. Martin from a painting he owns by the comedian Martin Mull). It’s an eye-catching, sepia photograph of a couple sitting in their living room, a sort of American Gothic for the 1950s.

Video by Ranger5Alive

Steep Canyon Rangers & Steve Martin – Letterman

STEVE MARTIN & THE STEEP CANYON RANGERS

Pick your favorite talent, he has so many: comedian, actor, musician, playwright, author, producer. Or, to sum up: Renaissance man. Stephen Glenn Martin (now 67) was born in Waco, Tex., and grew up in southern California. He started as a writer for “The Smothers Brothers Comedy Hour” in the late 1960s and moved on to stand-up comedy that featured arrows in the head, high-waisted polyester pants and paisley prints for his appearances on “Saturday Night Live.” His signature one-liners “Well, excuse ME!” and “We are two wild and crazy guys” are emblazoned on every boomer brain. Moreover, he was the first American comedian to have happy feet. He has been a guest on “The Tonight Show” more than 60 times and his appearances on “Saturday Night Live” drive the ratings straight up. His comedy and music careers were accidental detours on the road to his real goal, he said, and that was acting, where he has also found success: “Dirty Rotten Scoundrels,” “The Jerk,” “Planes, Trains and Automobiles,” “Father of the Bride,” “Little Shop of Horrors,” “The Pink Panther,” “It’s Complicated” and “Shopgirl” (based on his own screenplay from his novel.)

Mr. Martin started playing banjo at 17 and a few years ago took up with the Steep Canyon Rangers, a bluegrass band he continues to tour with. Their 2011 album release “Rare Bird Alert” is, for my money, bluegrass as good as it gets. I’ve run out of space to discuss his many awards, his serious art collection and his new baby daughter. A very busy guy.

Video by EBNewBohemiansVEVO

Edie Brickell & New Bohemians – What I Am

EDIE BRICKELL & NEW BOHEMIANS (1988)

Edie Brickell & New Bohemians features a long list of songs that I have on my personal playlist. In her online bio her vocals are described as “intimate and conversational style,” and I have to agree. “What I Am,” “Circle” and “She,” songs from her 1988 “Shooting Rubberbands at the Stars” album, have stood the test of time. A description on iTunes says, “Sunshine and optimism are her natural attributes and when she attempts to tackle a tune like ‘Bad Way,’ it still doesn’t sound like anyone’s worst day, but a cloudy day in paradise.” After she and Paul Simon met on the set of “Saturday Night Live” they married in 1992. Soon after, she stepped away from the recording studio for almost a decade to focus on family. Next came a stint as a solo artist as well as in a newly formed band called the Gaddabouts. But she wasn’t finished.

Video by Musicfantasy2

[HD] Steve Martin & Edie Brickell – When You Get to Asheville – David Letterman 4/23/2013

STEVE MARTIN and EDIE BRICKELL: “LOVE HAS COME FOR YOU”

When I heard that Mr. Martin and Ms. Brickell were collaborating, I knew there would be magic. The new album, released three weeks ago, was created in an unconventional way — long distance. Mr. Martin sent melodies to Ms. Brickell, and she sent lyrics back to Mr. Martin. Dave Itzkoff of The New York Times wrote about the process: “The two are similarly prolific in their fields,” adding: “Both find it equally difficult to explain how they create their music. Mr. Martin said his banjo compositions tended to come to him spontaneously.” Ms. Brickell said her “lyrics also emerge spontaneously and surprisingly.” Mr. Martin said, : “The whole thing was a giant accident that, in our view, turned out to be very rewarding to us.” In this video, Mr. Martin and Ms. Brickell talk about their process.

Previous Music Matches can be found here.

Booming: Living Through the Middle Ages offers news and commentary about baby boomers, anchored by Michael Winerip. You can follow Booming via RSS here or visit nytimes.com/booming. You can reach us by e-mail at booming@nytimes.com.

Source Article from http://www.nytimes.com/2013/05/22/booming/if-you-like-steve-martin-youll-like-edie-brickell.html
If You Like Steve Martin and Edie Brickell, Try Their Music as a Duet – New York Times
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music – Google News
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